BEAT TO A PULP #52!BROTHERLY LOVE BY J.E. SEYMOUR
It rocked him back, aside from the fact that his little brother hadn't ever called him, that he could remember, that his little brother would ask for his help, and the kind of help he couldn't talk about on the phone to boot. His mind went to the only logical conclusion, that his little brother was setting some sort of trap for him. Paully was a cop, Kevin remembered that much, even if he had to struggle to remember what the man looked like.
Is blood thicker than water? J.E. Seymour explores what one brother will do for another in Brotherly Love.
ABOUT THE AUTHOR
J.E. Seymour lives in a small town in seacoast NH and has had short stories published in three anthologies of crime fiction by New England writers - "Windchill," "Deadfall," and "Quarry," in Thriller UK Magazine, and in numerous ezines. http://jeseymour.com
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NEXT WEEK: KIERAN SHEA'S CHARLIE AND STEVIE DO A REPO





YOUNG SHERLOCK HOLMES: THE DEATH CLOUD!






FELDON DID A FABULOUS JOB OF PLAYING SIXTIES INNOCENT SEXY – MORE TWIGGY THAN MATA HARI. SHE WAS THE PERFECT FOIL FOR DON ADAMS/MAXWELL SMART, DISPLAYING COMEDIC TIMING COMPARABLE TO STRAIGHT MEN FROM THE BEST COMIDIC DUOS.

IN 2008, GET SMART WAS MORE-OR-LESS SUCCESSFULLY REVIVED (I ENJOYED THE FILM), WITH THE GEORGEOUS ANNE HATHAWAY TAKING OVER AS A MORE AGGRESSIVE, AND CERTAINLY MORE GLAMOROUS, AGENT 99.
FELDON’S SWEET VULNERABILITY WAS MISSING IN HATHAWAY’S PERFORMANCE, BUT SHE STILL MANAGED TO MAKE THE ROLE HER OWN DESPITE COMPARISONS. HATAWAY WAS DEFINITELY THE AGENT 99 FOR THE NEW MELLINIUM.














Every once in a while, an elite crime fighting team emerges - a highly sophisticated covert ops, specially trained in global intelligence maneuvers.
KRISTEN MILLER/D.D. CUMMINGS
NATASHIA WILLIAMS/SHANE PHILLIPS
Three female convicted felons who were incarcerated for electronic crimes (DD), con tricks (Cassie), and battery (Shane) get paroled out of prison in exchange for work as secret operatives for the US government under 'ComCent', a branch of the ISD.
THE TYPE OF HUMOR CHANGED MARKEDLY FROM SEASON ONE TO SEASON TWO, WITH THE FORMER CONTAINING MUCH SELF-REFERENTIAL HUMOR AND BREAKING OF THE "FOURTH WALL," WHILE BOTH THESE ELEMENTS WERE REMOVED IN SEASON TWO IN A SEARCH FOR HIGHER RATINGS – WHICH DIDN’T MATERIALIZE, LEAVING THE SHE SPIES VIXENS AT THE MERCY OF THE ULTIMATE VILLAIN, BROADCAST CANCELLATION.





WHILE LA FEMME NIKITA: THE SERIES RESONATED WITH ME MORE, I ENJOYED WATCHING ALIAS DESPITE THE EVER MORE COMPLEX FAMILY DYNAMICS.

PER WIKIPEDIA:
The television series differs from the film versions in one fundamental respect: Nikita (Peta Wilson) is innocent. She is not a killer, nor a drug user, just a homeless young woman in the wrong place at the wrong time. Section One — an elite, top-secret counterterrorist organization with no affiliation to any specific government — falsely believes Nikita is a killer, and has what it takes to become a deadly operative. Because Nikita will be killed (or "canceled") if she fails to comply, she is forced to carry out the organization's ruthless methods of fighting terrorism, while attempting to keep her moral integrity — and her soul — intact. This personal struggle becomes the primary conflict of the series.
Over time, Nikita's secretive and risky romantic involvement with her trainer, the mysterious Michael Samuelle (Roy Dupuis), becomes another source of conflict, and the series' most significant relationship. Just before the conclusion of the series, Nikita also learns the truth of why she was recruited into Section One.

